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Staged opera1.26.2015 - 4.17.2016

Les Fêtes vénitiennes


William CHRISTIE

  • Musical direction

Robert CARSEN

  • Staging
  • Lights

Ed WUBBE

  • Choreography

Radu BORUZESCU

  • Set design

Petra REINHARDT

  • Costumes design

Peter VAN PRAET

  • Lights

Emmanuelle DE NEGRI

  • Singer - La Raison / Lucile / Lucie

Magali LEGER

  • Singer - La Raison / Lucile / Lucie

Élodie FONNARD

  • Singer - Iphise / La Fortune

Rachel REDMOND

  • Singer - Irène / Léontine / Flore

Emilie RENARD

  • Singer - La Folie / Isabelle

Cyril AUVITY

  • Le Maître de danse / Un Suivant de la Fortune / Adolphe

Reinoud VAN MECHELEN

  • Thémir / Un Masque / Zéphir

Marcel BEEKMAN

  • Le maître de musique

Jonathan McGOVERN

  • bass-baritone - Alamir / Damir / Borée

François LIS

  • bass - Le Carnaval / Léandre / Rodolphe

Sean CLAYTON

  • Démocrite

Geoffroy BUFFIÈRE

  • bass - Héraclite
les fetes venitiennes les serenades et les joueurs 4 - v pontet

At the end of the seventeenth century a new opera genre appeared — the opéra-ballet — with the creation of André Campra’s L’Europe Galante in 1697. Followed by Montéclair, Mouret and Destouches, Campra became one of the most brilliant innovators of the eighteenth century. Through his collaboration with Danchet, librettist of Les Fêtes Vénitiennes, he perfectly gratified the hedonist preoccupations of the Regency period in France: comic invention, a pragmatic approach to the art of love, biting observation of social mores, and incisive criticism of the Parisian theater milieu (particularly in the two entrées Le Bal and L’Opéra). 

A juxtaposition of little dramas, combining theater within theater, realistic and contemporary characters, simplified intrigues, and a commedia dell’arte ambiance, Les Fêtes Vénitiennes is a luxuriant work in which the aria, in a cantata style very influenced by Italy, holds sway, and dance and amusement are capital.

Following Platée, William Christie and Robert Carsen have once more joined forces to bring wit and panache to their recreation of this opéra-ballet, which will transport audiences into the delirium of the Venice Carnival.

Production: A new production by the Opéra Comique
Coproducted by Les Arts Florissants (sponsored by the Selz Foundation), the Théâtre du Capitol de Toulouse, the Théâtre de Caen, and the Centre de Musique Baroque de Versailles

Photos

Le Bal - Reinoud Van Mechelen (Thémir) and the choir of Les Arts Florissants

Image removed.

Les Sérénades et les Joueurs - Emmanuelle de Negri (Lucile) and Emilie Renard (Isabelle)

Les Sérénades et les Joueurs - François Lis (Léandre) and instrumentists on stage

Image removed.

Les Sérénades et les Joueurs - Élodie Fonnard (La Fortune)

L'Opéra - Emmanuelle de Negri (Lucie) and Rachel Redmond (Léontine)

Image removed.

L'Opéra - Marc Mauillon (Borée) and Rachel Redmond (Léontine)

On stage for the Sérénade
Christophe Robert, Emmanuel Resche, violins
Serge Saitta, Charles Zebley, flutes
Thomas Dunford, archilute

Dancers of Scapino Ballet Rotterdam

Past events :
17April 20164H
New York, Etats-Unis
Brooklyn Academy of Music
16April 20169H30
New York, Etats-Unis
Brooklyn Academy of Music
14April 20169H30
New York, Etats-Unis
Brooklyn Academy of Music
28February 20164H
Toulouse, France
Théâtre du Capitole
26February 20169H
Toulouse, France
Théâtre du Capitole
25February 20169H
Toulouse, France
Théâtre du Capitole
23February 20169H
Toulouse, France
Théâtre du Capitole
2April 201510H
Caen, France
théâtre de Caen
1April 201510H
Caen, France
théâtre de Caen
2February 20159H
Paris, France
Opéra Comique
1February 20154H
Paris, France
Opéra Comique
30January 20159H
Paris, France
Opéra Comique
29January 20159H
Paris, France
Opéra Comique
27January 20159H
Paris, France
Opéra Comique
26January 20159H
Paris, France
Opéra Comique