Aminta e Fillide - Handel
Ensemble instrumental des Arts Florissants
William Christie
- Direction musicale
Ana Vieira Leite *
- Soprano
Shakèd Bar
- Mezzo-soprano
* Laureate of Le Jardin des Voix academy
George Frideric Handel :
Trio Sonata in C minor HWV 386a
Duetto da Camera “No, di voi non vo' fidarmi” HWV 189
Trio Sonata in B flat major HWV 388
Aminta e Fillide, HWV 83

Although Aminta e Fillide is rarely performed, one is immediately struck by the sense of familiarity it exudes. In fact, this is hardly surprising: this early pastoral cantata, written during Handel's first stay in Rome (1708), provided the material for several of his masterpieces many years later. Some of the most famous arias from Agrippina, Rinaldo and the Ode to Saint Cecilia are literally taken from that score!
The variety of the 40 or so arias in Aminta e Fillide is equally astonishing. It was originally composed for Marquis Ruspoli and the Académie des Arcadiens - a group of literati gathered under the patronage of Queen Christine of Sweden, who liked to meet in the heat of the Roman summer in the marquis's idyllic gardens. For almost an hour, the story follows in a sober style the amorous assaults of the shepherd Aminta, obstructed by the reluctance of the nymph Fillide... but Aminta's steadfastness and fidelity will eventually melt her heart.